Free design proof on every custom order: no templates, no stock SKUs
The 24 x 36 poster is one of the most requested large-format sizes. Big enough to command a room or storefront window, yet still easy to frame, mount or roll for shipping. It's a regular choice for trade show backdrops, retail displays, movie-style promotional art and event signage. Choose from matte, satin or gloss poster stock depending on how the piece will be viewed, handled and displayed.
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A 24 x 36 poster sits right in the sweet spot of large-format printing. Noticeably bigger than a standard 18 x 24 sheet, but still light enough to handle, ship flat or rolled, and mount without special equipment. It's become something of a default size for movie-style art prints, gallery and gig posters, retail point-of-sale graphics and trade show signage, because it reads clearly from ten or fifteen feet away without overwhelming a booth or wall.
Stock choice matters more at this size than it does for a flyer or postcard. A heavier poster paper (typically in the 80 lb to 100 lb range) holds flat and resists curling when hung with tape, pins or a poster rail, while a laminated finish adds scuff and moisture resistance for pieces that will be handled, displayed outdoors, or reused across multiple events. Matte lamination cuts glare under harsh store or gallery lighting, satin sits in between, and gloss gives colors the most punch and contrast. A good match for photography-heavy artwork or high-impact retail graphics.
Because the image is being blown up to nearly three feet in one dimension, source artwork needs to be built or supplied at a high enough resolution to hold up at full size. Low-resolution web images tend to look soft or pixelated once printed this large. Full-bleed designs should extend past the trim edge to avoid a thin white border, and text or logos should stay clear of the outer edge in case of minor trimming variance.
Common uses run from campaign and rally signage to restaurant and gym wall art, real estate open-house displays, classroom and office decor, and limited-run concert or event prints. For anything that will be reprinted or reordered on a schedule (a rotating promotion, a seasonal menu board, a recurring event series) it's worth keeping the source file and stock choice consistent so repeat orders match the original run exactly.
Poster stock is chosen against where it hangs and how long it stays there. A light poster paper is right for a short campaign taped to a wall. Cheap enough to replace and thin enough to sit flat. Heavier satin and cover weights resist curling, survive being pinned and unpinned, and hold their shape in a frame or a window where a light sheet would ripple visibly.
Why does my poster ripple in the window? Light stock reacting to humidity and sunlight. A heavier weight or a mounted board is the fix. Nothing about the printing will change it.
Posters are the one format where the design has to be checked against a distance rather than a screen. Type that reads comfortably at arm's length disappears at ten feet, and an image that looks sharp at 100% on a monitor can be well below the resolution it needs at full size. The practical rule is to decide the reading distance first and let it set both the type scale and the minimum image resolution.
What resolution do I need? It depends on size and viewing distance. A 24 x 36 read from across a room tolerates far less than an 11 x 17 held at a desk. Send the file and we will tell you before printing.
Gloss maximizes color saturation and photographic punch, which is what retail and entertainment posters usually want. Matte cuts glare, which matters more than people expect on anything hung under downlights or in a window facing the sun. A gloss poster in the wrong light is unreadable from the angle most people approach it. Lamination adds durability for anything handled or exposed.
Gloss or matte for a shop window? Matte, almost always. Direct sun on a gloss surface throws glare that makes the poster unreadable from the pavement.
Posters are trimmed flat and then either shipped flat or rolled, and that choice has real consequences. Flat shipping keeps the sheet perfectly true but needs a rigid oversized carton. Rolling is cheaper and safer in transit but leaves a curl that has to be flattened before display, which for a short campaign on a wall is fine, and for a framed piece is a nuisance.
Flat or rolled? Flat if it goes straight into a frame. Rolled is cheaper and perfectly fine for anything taped or pinned up.
One of the most requested large formats, and the size at which a poster stops being a notice and becomes the dominant object in a space. It commands a room or a full storefront window while still fitting standard large frames and shipping in an ordinary tube. Above this size, framing, handling and freight all start to need special arrangements.
Why is this size so common? Because it is the largest poster that still fits off-the-shelf frames and normal shipping. Beyond it, everything around the poster gets more expensive.
Ask for samples before a long run. How a stock handles light and humidity decides whether a poster hangs flat or ripples.
A bonded film that stops a poster scuffing and curling, and lets it be wiped clean. Worth it on anything that hangs for a season, gets handled, or sits where condensation and sunlight both reach it.
Cuts glare, which on a poster is a functional decision rather than an aesthetic one. A gloss poster under downlights or in direct sun is unreadable from the angle most people actually approach it.
Bonded to foam board or heavy card so it stands on an easel or hangs without a frame. It also removes the ripple problem entirely, since the board rather than the paper is holding the shape.
Cut to size, with optional eyelets for hanging where the poster is exposed. On anything larger than 24 x 36 hanging hardware is worth planning before printing rather than improvising afterwards.
Same family, genuinely different jobs. Your current selection is highlighted.
| Poster | From | Reads at | Order it when |
|---|---|---|---|
| 11 x 17 Posters | $320 | Read from a few feet | Noticeboards, in-store, event promotion |
| 18 x 24 Posters | $380 | Read across a room | Storefront windows and retail |
| 24 x 36 Posters | $420 | Commands the wall | It should dominate the space |
| Custom Posters | $310 | Your dimensions | The space does not match a standard |
Because it is the largest poster that still fits off-the-shelf frames and ships in an ordinary tube. Above it, framing, handling and freight all start needing special arrangements, so cost rises faster than size.
More than most people supply. It is read from further away, which helps, but the sheer enlargement means a low-resolution original shows softness and artefacts. Send the file early and we will tell you whether it holds.
If it needs to stand on an easel, hang without a frame, or stay perfectly flat, yes. Mounting also solves rippling completely, since the board holds the shape rather than the paper.
Yes, with eyelets or a mounted board. At this size an unframed, unmounted poster will curl and ripple with humidity, so plan the hanging method before printing rather than after.
Pricing for 24 x 36 posters starts at $420 and moves with quantity, size, material and finish rather than sitting on a fixed list. Setup is shared across the run, so the per-unit price drops steeply as the quantity rises: the gap between a few hundred and a few thousand is usually the significant one. Send the size, quantity and what it has to do and you get a firm figure back, not a range.
There is a practical minimum rather than a hard one. Every run carries artwork checks, a proof and a press setup, so a very small quantity of 24 x 36 posters prices poorly per unit even though we will still make it. If you are ordering a small batch, ask for pricing at two or three quantities at once: the curve usually shows that a modest increase costs very little more in total.
The clock starts when you approve the proof, not when the order is placed, which is the part most people are surprised by. You get a proof first: a digital proof, and on large sizes a scaled section at full resolution so you can judge sharpness and color at actual print scale rather than at a reduction. Nothing prints until you approve it. Turnaround after approval depends on the finish: anything laminated, foiled or die-cut adds a stage that cannot be compressed without causing problems later. Tell us the date you actually need them and we will work backwards from it rather than quoting a generic lead time.
Yes. 24″ × 36″, commands the wall is the standard build, and the dimensions around it are yours to set. A size that sits efficiently on the press sheet often costs no more than a standard one, while an awkward proportion that wastes half the sheet does. Ask before you commit and we will tell you whether a small change to the dimensions saves a disproportionate amount.
In most cases they are the same product under a different name: the trade uses several terms for it depending on the region and the supplier. What actually defines this one is the build: commands the wall. Order it when it should dominate the space. If you have seen it called 24 x 36 posters printing elsewhere, describe what it has to do rather than which name you found, and we will match the specification.
Yes. We provide free samples, and on 24 x 36 posters it is worth asking for one, because the difference between poster paper and satin is obvious in the hand and invisible on a screen. Most orders run on poster paper, but ask for whichever you are weighing up. You also get a free design proof before anything goes to press, so nothing is printed that you have not seen.
The usual choices are lamination, matte finish, mounting. Finish is not decoration on this product so much as a decision about how long it survives and how it reads in the hand, so it is worth choosing against the job rather than the budget. Tell us where the finished piece ends up and we will say which finish is doing real work and which is only adding cost.
Yes, and that is what almost every order here is. Nothing in this catalogue is a stock item: 24 x 36 posters are manufactured to the specification you give us, with your artwork on them. Send your logo as vector artwork where you have it, since that scales to any size without softening. If all you have is a low-resolution file, tell us and we will say what it needs before it reaches the press.
Yes, and a repeat run is simpler than the first one. We keep your approved specification on file, so a reorder skips the setup decisions and goes straight to production. If nothing about the artwork or the specification has changed, there is nothing to re-approve. Tell us the previous order and we will match it rather than starting the specification again.
Yes. Regalo Print has been producing custom commercial print for businesses across the USA and Canada since 2008, and every order ships tracked. The tracking number reaches you the day the job leaves, not the day it arrives. If you are working to a fixed date, say so when you order so the production schedule is built around the delivery date rather than the other way round.
