Bottle packaging boxes hold one to four bottles securely in transit, with die-cut inserts or dividers that keep glass or plastic from knocking together. Available in corrugated stock for shipping durability or a lighter presentation box for gifting wine, spirits or specialty beverages. Print your logo, a greeting message or full-color branding directly on the box.
A bottle in transit has two problems that packaging has to solve at once: it needs to stay upright and separated from other bottles to avoid impact damage, and (for glass especially) it needs cushioning against the kind of shock that a dropped box or a rough delivery truck ride can deliver. Bottle packaging boxes are built around that problem directly, using die-cut dividers or a corrugated insert that holds each bottle in its own compartment so glass never contacts glass during handling.
Construction depends heavily on what's being shipped and how far. A single-bottle or two-bottle box for local delivery or in-person gifting can get away with a lighter corrugated board, since it's not traveling far and won't be stacked under much weight. A four-bottle shipping box built for mail order needs heavier double-wall corrugated construction and a snug internal fit, since it may pass through multiple sorting facilities and get stacked under other packages along the way. Wine and spirits shippers in particular tend to specify a heavier board weight given the higher replacement cost of a broken bottle.
Beyond structural protection, a bottle box often does double duty as a presentation piece. Particularly for wine, craft spirits, olive oil or specialty beverage gifts, where the box is handed over or unwrapped as part of the experience rather than simply discarded after shipping. A printed exterior with a brand's logo, a greeting message, or a full-color label wrap turns a functional shipping container into something closer to a retail gift box. Interior touches like a printed insert or a colored divider add a further layer of polish for anything positioned as a gift set rather than a standard shipment.
When specifying a bottle box, the details that matter most are bottle count, bottle dimensions (standard wine bottles differ in height and shoulder width from spirits or beer bottles), and whether the box needs to survive third-party shipping or just local handling. Getting the internal cavity sized correctly. Snug enough to prevent movement, not so tight that bottles are difficult to remove. Is the single biggest factor in whether the box actually protects its contents, more so than the exterior print or finish.
The board is chosen against weight, not appearance. How much the box has to carry and how much abuse it takes on the way. Folding boxboard coated on one side takes the best print and suits anything retail-facing. Corrugated adds a fluted middle layer that absorbs impact, which is what makes it a shipping material. Rigid chipboard does not fold at all; it is cut, wrapped and assembled into a box that feels like an object rather than a carton.
How do I know which board I need? Tell us the weight of the contents and whether it ships alone or inside another carton. Those two facts eliminate most of the list immediately.
Most cartons run offset litho, which holds fine detail and small type far better than printing directly onto board. Corrugated is usually litho-laminated for the same reason. The graphics are printed on a thin sheet and bonded to the fluted board, rather than printed onto a ribbed surface that shows through. Where a brand color must match across every reorder, it runs as a Pantone spot rather than being approximated from process inks.
Should I print the inside? Only if the box is opened in front of the customer. On a shipper it is money spent where nobody looks.
A coating does two jobs on packaging: it protects the print from scuffing through the supply chain, and it sets the tactile impression when someone picks the box up. Gloss lamination maximizes color and wipes clean. Matte reads more restrained and hides handling marks. Soft-touch is a matte film with a velvety surface that changes how expensive a box feels more than any other single decision at this stage.
Is lamination necessary? On anything that travels, yes. Unlaminated board scuffs white at every corner and edge, and that is the first thing a customer sees.
A carton starts as a flat blank cut by a steel-rule die, with fold lines scored rather than merely creased so the board bends along a controlled path instead of cracking its coating. The glue is applied to the side seam and the box is delivered flat, folded on that one seam. Everything about how the finished box behaves (whether it locks square, whether the lid sits flush) is decided by the accuracy of the die and the score positions.
Why does my box arrive flat? It ships flat and folds up at your end. A fraction of the freight cost and storage space of a pre-assembled box, which is why almost all cartons are supplied this way.
The box is the easy part; the insert does the work. Die-cut dividers or a fitted corrugated insert hold one to four bottles apart so glass never contacts glass, and hold them off the base so a drop is absorbed by board rather than by the bottle. Everything about the carton (its board weight, its depth, its handle if it has one) follows from the number and shape of bottles it carries.
Will it survive courier shipping? With the right insert, yes, but tell us it is shipping rather than being hand-carried. A retail carry box and a shipper are different specifications.
Ask for samples of any board on this list before committing to a run. Stiffness and surface are impossible to judge on screen.
A bonded film that carries the box through the supply chain without scuffing white at the corners. Gloss holds color saturation; matte reads more restrained and hides handling marks across a long shelf life.
A matte film with a velvety surface that changes how expensive a box feels more than any other single decision. It marks more readily than gloss, so it suits a box that is opened once rather than handled daily.
Metallic foil pressed into the board under heat. On packaging it works hardest on a logo or a single rule rather than across large areas. A small foil element against an uncoated or matte ground reads as considered.
A raised gloss varnish on selected elements, or the board physically pressed into relief. Both add a tactile layer that survives being seen only once, which on packaging is often the only moment that matters.
Same family, genuinely different jobs. Your current selection is highlighted.
| Box | From | Construction | Order it when |
|---|---|---|---|
| Custom Packaging Box | $185 | Dieline drawn to your product | Nothing standard fits what you make |
| Tuck Box | $210 | Folding carton, tuck end | The default retail carton |
| Mailer Box | $220 | Self-locking roll end, E-flute | It ships direct and gets opened on camera |
| Retail Box | $225 | Carton built around shelf hierarchy | It competes for attention on a shelf |
| Corrugated Boxes | $385 | Litho-laminated corrugated | Retail print quality plus impact resistance |
| Cardboard Packaging | $378 | Slotted shipping carton | Shipping, moving and bulk storage |
| Kraft Box | $210 | Uncoated kraft, low coverage | The material should read as unfussy |
| Bux Board Box | $235 | Solid recycled board, folded | Rigid protection without corrugated cost |
| Gift Boxes | $185 | Lid and base, or collapsible rigid | It is opened as part of the occasion |
| Magnetic Box | $325 | Rigid, hinged lid, concealed magnets | The closure itself has to feel expensive |
| Linen Card Box | $320 | Linen-embossed wrap over rigid | Formal, textured, type-led packaging |
| Apparel Box | $280 | Shallow lid over a wide base | Folded clothing and accessories |
| Watch Box | $305 | Rigid shell, strap pillow | The interior matters more than the outside |
| Cosmetic Packaging | $210 | Fitted tray or sleeve per SKU | A range of small, awkward product shapes |
| Bottle Packaging | $870 | Die-cut inserts, 1-4 bottles | Glass must never touch glass |
| Cake Packaging | $424 | Locked flat base, tall clearance | The base has to carry weight, level |
| Gable Box | $185 | Peaked seam with die-cut handle | Someone carries it away by hand |
| Pyramid Box | $275 | Square base folding to a point | It should not read as packaging |
| Toy Box | $235 | Window patch, reinforced corners | The product has to be visible on shelf |
| Software Boxes | $320 | Shallow carton, fitted interior | Media and printed matter, held apart |
With the right insert, yes, but say up front that it is shipping rather than being hand-carried. A retail carry box and a courier shipper are different specifications, and the difference is mostly in the insert and the board weight.
One to four is the standard range with die-cut dividers. Beyond that the box gets heavy enough that the handle and base construction have to be reconsidered rather than just scaled up.
For shipping, effectively yes. The flute is what absorbs a drop. Folding board dividers keep bottles apart on a shelf but do very little in transit.
Yes, either die-cut into the box or as a separate carry construction. Tell us the filled weight, because a handle sized for a single bottle will tear on a four-bottle pack.
Pricing for bottle boxes starts at $870 and moves with quantity, size, material and finish rather than sitting on a fixed list. Setup is shared across the run, so the per-unit price drops steeply as the quantity rises: the gap between a few hundred and a few thousand is usually the significant one. Send the size, quantity and what it has to do and you get a firm figure back, not a range.
There is a practical minimum rather than a hard one. Every run carries artwork checks, a proof and a press setup, so a very small quantity of bottle boxes prices poorly per unit even though we will still make it. If you are ordering a small batch, ask for pricing at two or three quantities at once: the curve usually shows that a modest increase costs very little more in total.
The clock starts when you approve the proof, not when the order is placed, which is the part most people are surprised by. You get a proof first: a flat proof showing artwork against the dieline, plus a folded mockup so you can see the panel that actually faces the customer. Nothing is tooled until you approve it, because a steel-rule die is the one thing in this process that cannot be revised cheaply. Turnaround after approval depends on the finish: anything laminated, foiled or die-cut adds a stage that cannot be compressed without causing problems later. Tell us the date you actually need them and we will work backwards from it rather than quoting a generic lead time.
Print-ready artwork with bleed and a safe margin, supplied as a PDF, AI or EPS. Because this product is cut to a shape, the file also needs a live vector path for the blade to follow. A JPG or PNG has no outline to cut to, so it has to be redrawn first. If your file is not print-ready, say so when you order. We would rather fix it before the proof than after the run.
Yes. Die-cut bottle inserts is the standard build, and the dimensions around it are yours to set. A size that sits efficiently on the press sheet often costs no more than a standard one, while an awkward proportion that wastes half the sheet does. Ask before you commit and we will tell you whether a small change to the dimensions saves a disproportionate amount.
In most cases they are the same product under a different name: the trade uses several terms for it depending on the region and the supplier. What actually defines this one is the build: die-cut inserts, 1-4 bottles. Order it when glass must never touch glass. If you have seen it called wine bottle boxes elsewhere, describe what it has to do rather than which name you found, and we will match the specification.
Yes. We provide free samples, and on bottle boxes it is worth asking for one, because the difference between folding boxboard (c1s) and kraft board is obvious in the hand and invisible on a screen. Most orders run on folding boxboard (c1s), but ask for whichever you are weighing up. You also get a free design proof before anything goes to press, so nothing is printed that you have not seen.
The usual choices are lamination, soft-touch, foil stamping. Finish is not decoration on this product so much as a decision about how long it survives and how it reads in the hand, so it is worth choosing against the job rather than the budget. Tell us where the finished piece ends up and we will say which finish is doing real work and which is only adding cost.
Yes, and that is what almost every order here is. Nothing in this catalogue is a stock item: bottle boxes are manufactured to the specification you give us, with your artwork on them. Send your logo as vector artwork where you have it, since that scales to any size without softening. If all you have is a low-resolution file, tell us and we will say what it needs before it reaches the press.
Yes, and a repeat run is simpler than the first one. We keep your approved specification on file, so a reorder skips the setup decisions and goes straight to production. Where the job used custom tooling, that tooling is reused, which is why a shaped run costs less the second time. Tell us the previous order and we will match it rather than starting the specification again.